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Taylor Hackford is the director of the American crime drama Blood in Blood Out, which was released in 1993. From 1972 until 1984, the film recounts the intertwined lives of three Chicano family members. They begin as members of a street gang in East Los Angeles, and as emotional events unfold, their lives and friendships are forever altered. We’ll present some mind-blowing renowned blood in blood out quotations in this article.
Short Blood in Blood Out Quotes ideas
“I thought of Al in his dream, looking nothing like this, more like an elegant bat. Broken? Perhaps, but I had put his butterfly back together with my blood. “I never liked the movie Titanic,” I said, and he grunted, his gaze sharpening on me. “They both could have gotten on that damn door.”
“Do you want to see who I am? Oh?”
“Politics is clearly a not-so-happening topic in our young blood. I could clearly see many students yawning. Some might have been discussing the new Shakira video amongst themselves, the one shown on MTV these days. Bloody donkeys, if it was a porno movie featuring an interracial orgy, their eyes might have ogled out and ears might have become sensitive to the oohs and aahs but not for causes of the nation. Hrmpf … youth power indeed!”
“And now, for my dark brothers: I’m sorry, there are no tortillas!”
“I like movies that are scary, but I don’t want them to be dirt dumb. I want a movie that gets my blood racing, makes me laugh, but also gives me something to think about, with maybe a little sexy thrown in. Hollywood doesn’t make movies like that.”
“Move, black, before I use your skin as a carpet for my cell.”
“If Michelle Pfeiffer gave Mel Gibson a vial of blood to wear around his neck in a movie you’d think it was terribly romantic, everyone would cry and they’d win awards. But in real life, if someone does that they’d be considered weird.”
@Billy Bob Thornton♨️
“Do you think you could use your brotherhood as well as a shot of tequila?”
“Foreign audiences are used to seeing Mexico in other sorts of movies. ‘Casi divas’ is a step toward a more commercially successful cinema, without the violence, blood, and exaggerations. The movie reflects a more human Mexico while remaining a chick flick, although it is not a romantic comedy.”
“Pervert and scoundrel, that’s just the way you always call me. What is my name? Perverted scoundrel?”
Quotes from Blood in Blood Out
“How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth.
It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood.
Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together.”
“You should not have done that to my brother, Cruzito. You know what I say, jam?”
“I actually like older horror movies more than newer ones because when I’m watching newer ones, like ‘Chucky’ or ‘Saw’ or whatever, I’m like, ‘Come on, really, this isn’t even good, all it is is blood and knives.’ I like when it has a story line, you know? When it’s actually a movie.”
@Emily Alyn Lind♨️
“I’m ready, waiting for my money, you bastard.”
“What you don’t see is scarier than what you do. Categorization is always kind of arbitrary, but people have called ‘Preservation’ a ‘psychological thriller.’ To me, psychological thriller basically means ‘a horror movie without the blood.'”
“Cocaine is America’s cup of coffee.”
“A thick, intense fog was rolling in from the ocean, which created long, strange shadows to form like creatures of their own kind.”
@Keira D. Skye♨️
“I do not want your chop, I want your life.”
“There’s no shower, no paper towels. Just the sink, cold water, and hand soap. Girl, you look like a poster for that Carrie movie. He has a point. There’s blood on my arms and neck, even in my hair. Nothing to do but start scrubbing, hopefully before someone walks in with sleepy kids in need of a bathroom break. I’d probably give them nightmares for a week.”
“I do not shoot to warn you, you bastard.”
Blood in Blood Out Movie Quotes
“I was diagnosed with hypoglycemia, an abnormal decrease of sugar in the blood. Eventually, I learned to eat five small meals a day. Now if I’m making a movie and get hungry, I call time out to eat some crackers.”
“Hey, Cinderella, go and get a friend, you’re late and midnight is coming. You were wrong as a man.”
“I know this is weird … I am a Black woman and I am not mixed with any Asian blood or Chinese blood at all, but for some reason, as a child, the movie, The Last Emperor, had a serious effect on me. I can’t understand why. But there’s something that the movie did to me.”
“You got into this game, gabacho. You better have five aces.”
“An oncology ward is a battlefield, and there are definite hierarchies of command. The patients, they’re the ones doing the tour of duty. The doctor’s breeze in and out like conquering heroes, but they need to read your child’s chart to remember where they’ve left off from the previous visit.
It is the nurses who are the seasoned sergeants the ones who are there when your baby is shaking with such a high fever she needs to be bathed in ice, the ones who can teach you how to flush a central venous catheter, or suggest which patient floor might still have Popsicles left to be stolen, or tell you which dry cleaners know how to remove the stains of blood and chemotherapies from clothing.
The nurses know the name of your daughter’s stuffed walrus and show her how to make tissue paper flowers to twine around her IV stand. The doctors may be mapping out the war games, but it is the nurses who make the conflict bearable.”
“The fair does not know color, carnal.”
“I was blessed with suck in the form of the traditional Snow White coloring: skin as white as snow, lips as red as blood, and hair as black as coal. In the cartoons and the storybooks, they make it look almost cute. Of course, when artists and animators design a Snow White, they essentially give their incarnation of my story a spray tan and some neutral lip liner.
A true seven-oh-nine was nowhere near as marketable as those animated darlings. We’re too pale, and our lips are too red, and we look like something out of a horror movie that didn’t have the decency to stay on the screen.”
“I’m going to crush you like the little mosquito you are.”
“In order to make a great, epic movie, you have to have the four Bs – babes, bullets, blood, and blades.”
“Do you want to dance? Do you know the rhythm of skewering and cutting, that?”
Big Al Blood in Blood Out
“I read the books the day before I had met with (director) Catherine Hardwicke. The first I heard of it was my agent called and said, ‘Do you want to be in a vampire movie?’ and I said ‘No.’ I thought it was like a zombie, blood-and-guts, vampire movie.”
“Oh, but how do those little blue eyes shine when they get upset?”
“[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn’t. I didn’t want to encourage her.
I couldn’t touch my father’s cigarettes, couldn’t look at the Pall Mall cartons in the pantry. I was the sort of child who couldn’t even watch commercials for horror movies – the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy.
So I couldn’t look at her books, would turn them over so their covers wouldn’t show, the raised lettering and splotches of blood – especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.”
“Blood for blood! You kill or you die.”
“You try to do as much as you can on set because practical looks cool and practical looks great. Until you get to a point where the reality is you look at it – and I went through this in my last movie which was a war film, which my brother fought in Iraq and I did a ton of research and as much as I could made it documentary-like – and then at some point on set, the reality is somebody says to you,
“You know, you can use a real squib and you can have three hours of clean up and you can lose five shots or we can do that blood explosion in post and you can get those five extra shots.”
“I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see “Swept Away” or you go see a movie she did “Blood Feud” with Sophia Loren and Giancarlo Giannini. And I remember “Wifemistress” was a big movie at that time, really liked it, Laura Antonelli.”
“I’m a huge fan of horror. I can’t handle all the blood and gore, but that’s what The Following was meant to be. It was meant to be a genre show, a little movie, a little scary genre film every week. That was our goal. That’s what Kevin Bacon and I wanted to do.”
@Kevin D. Williamson♨️
“As if from the back row of a smoky movie theater, she watched as they entered the kitchen and took their places on her mother’s polished black and white linoleum. The Wing Commander, his face kind. His wife, sunglasses in the morning. People really do wring their hands when they are anxious. The Chaplain, specks of dried blood on his chin – a quick shave before the breaking of the hearts.”
@Penny McCann Pennington♨️
“The first person I ever described the film [The Neon Demon] to was Christina Hendricks [who has a cameo in the movie]. We were having dinner in LA and she asked me what I wanted to do next and I said, “I want to do a horror movie.” And she goes, “What’s it going to be about?” And I said, “A lot of blood and high heels.”
@Nicolas Winding Refn♨️
“One of my first dates with a witch was on a satanic altar, and I didn’t know it. I mean, there’s little blood there and stuff like that. … We went to a movie and then had a midnight picnic on a satanic altar.”
Montana Blood in Blood Out
“I like reading books with both hands, with my heart pumping, with blood on the page. So I’m interested in people who make stuff, and I’m interested in the lives that make the text. To read a book or watch a movie any other way, to me, personally, feels like a waste of time and misapplication of energy.”
“I felt that Lionsgate really understood the material and that they would let us make a faithful adaptation; that they wouldn’t soften it, they wouldn’t age up the characters, to make them older so that it would be more palatable. I felt that the power of the book was in the youth of these protagonists and that you couldn’t cheat on that in terms of their age in the story. Lionsgate was on board for, of course, the PG-13 version of the movie, not something full of blood and guts, but something more thematically driven. -Nina Jacobson, pg. 14”
Tiff like in Breakfast at Tiffany’s,’ he says. ‘Right?’
I couldn’t be more shocked. ‘Um … yes, that’s right – it’s an old movie.’
‘Is it? Don’t watch that much TV. I’ve only heard of the book – got it at home. I bought it ’cause Truman Capote wrote it. I was stoked by In Cold Blood. He wrote that, too. You read it?’
‘Aw, you gotta. It rocks.’
I look away as if I’ve been suddenly distracted by something out the window. It’s my version of the pause button. There’s a lot of information to process. Here’s a boy my own age; he shakes my hand, he talks to me – not just to ask directions to the toilet – and he reads books.
“You’ll see a lot more blood in ‘Saw’ movies or something like that than you will in either of the ‘Last House’ movies. I kind of think it owes more to ‘The Virgin Spring’ which is the original source material, the Bergman movie.”
“I am actually working on The Neighbor’s sitcom. We are starting from scratch. I am also working on a comedy movie and a vampire movie. I also have the pilot for The Tommy Wiseau Show and of course, The House That Drips Blood On Alex, which we are hoping to make a sequel.”
“‘True Blood’ is shot on film. It’s more like a movie, and they take more days to shoot it, plus it has an hour of content. ‘The Good Wife’ is network. They’re shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!”
“I told you to make yourself at home,” he says. “I don’t want you to feel like you have to tiptoe around, afraid of doing something wrong or hearing something you shouldn’t, like phone conversations.” My blood runs cold at those words. I can feel his eyes on me and not the screen.
“I, uh … ” I don’t know what to say. “It’s okay,” he says, those words silencing me. He kisses the top of my head again, subject closed as he goes back to watching the movie. A few minutes pass before Naz lets out a light laugh. “So, tell me something … did you at least google me?”
“It is important to be conscious of the message that you’re putting out there. It takes a lot of blood, sweat, and tears to get a movie to the screen. I do feel a certain element of responsibility to say something worth saying with it, as well as entertainment.”
“Today, blood work and science are able to provide more of a movie of your health, identifying trends before they become an issue.”
“I’m honestly kind of scared of horror films. My girlfriend always tries to expose them to me. Being in a scary movie and seeing all the fake blood and stuff definitely takes away from the magic and kind of humanizes scary movies to me now, though.”
“If Christianity is true, this changes EVERYTHING. Christ’s very last words to us in scripture were: “Behold, I make all things new.” (Rev. 21:5) I hope you remember that most moving line in the most moving movie ever made, The Passion Of The Christ, when Christ turns to His mother on the way to Calvary, explaining the need for the Cross and the blood and the agony:
“See, Mother, I make all things new.” I hope you remember that line with your tear ducts, which connect to the heart, as well as with your ears, which connect to the brain. Christ changed every human being he ever met.
In fact, He changed history, splitting it open like a coconut and inserting eternity into the split between B.C. and A.D. If anyone claims to have met Him without being changed, he has not met Him at all. When you touch Him, you touch lightning.”
“If you don’t have any money and you want to make a horror movie, take a six-inch-wide brush for house painting and dip that in a bucket of blood, and then just flick your wrist. You’ll get this great speckled splash of blood, and it will cost you nothing.”
“Blood, especially fake, and guns, this is bullshit. It works in the movie, but on set it doesn’t work for me.”
“On one level, I would prefer never to hear the words ‘James Bond’ again, but on another level, it is part of my blood and my life. And it’s the only movie in the world that offers a British actor the chance of international recognition.”
“My story ended where so many stories have ended since the Rising: with a man – in this case, my adoptive brother and best friend, Shaun – holding a gun to the base of my skull as the virus in my blood betrayed me, transforming me from a thinking human being into something better suited to a horror movie.”
“I have seen them stagger out of their movie palaces and blink their empty eyes in the face of reality once more, and stagger home, to read the Times, to find out what’s going on in the world. I have vomited at their newspapers, read their literature, observed their customs, eaten their food, desired their women, gaped at their art.
But I am poor, and my name ends with a soft vowel, and they hate me and my father, and my father’s father and they would have my blood and put me down, but they are old now, dying in the sun and in the hot dust of the road, and I am young and full of hope and love for my country and my times, and when I say Greaser to you it is not my heart that speaks, but the quivering of an old wound, and I am ashamed of the terrible thing I have done.”
“Any movie about cult figure Charles Manson needs lots of sex, drugs, and blood. But as John Roecker discovered while filming his first feature screening Friday and Saturday only at the Avalon the key to amping up the gore is an old standby: puppets.”
“Morphine hits the backs of the legs first, then the back of the neck, a spreading wave of relaxation slackening the muscles away from the bones so that you seem to float without outlines, like lying in warm saltwater. As this relaxing wave spread through my tissues, I experienced a strong feeling of fear.
I had the feeling that some horrible image was just beyond the field of vision, moving as I turned my head so that I never quite saw it. I felt nauseous; I lay down and closed my eyes. A series of pictures passed, like watching a movie:
A huge, neon-lighted cocktail bar that got larger and larger until streets, traffic, and street repairs were included in it; a waitress carrying a skull on a tray; stars in a clear sky. The physical impact of the fear of death; the shutting off of breath; the stopping of blood.”
@William S. Burroughs♨️
“I did nine months in ‘Mrs. Klein’ in New York, then four months on the road. Then I did a movie directed by Philip Haas, who did ‘Angels & Insects’. We shot ‘The Blood Oranges’ in Mexico for six weeks.”
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